Jack Taylor, a disgraced ex-cop in Galway, has slid further down the slope of despair. After a year in London he returns to his home town of Galway with a leather coat and a coke habit. Someone is systematically slaughtering young travellers and dumping their bodies in the city centre. Even in the state he's in, Jack Taylor has an uncanny ability to know where to look, what questions to ask, and with the aid of an English policeman, apparently solves the case. Now he stands poised on the precipice of the most devastating decision of his career, while at the same time a rare opportunity of real and enduring love also materialises. As with The Guards, the city of Galway dances, jeers, consoles, threatens, entices, near kills and yet continues to be the ultimate ground of Jack Taylor's transcendence, all he understands of heaven and hell.
Ken won a Macavity Award for The Killing of the Tinkers… it won for best novel! He was also nominated for an Anthony and a Barry Award.
The impossible has happened: Jack Taylor is living clean and dating a mature woman. Rumour suggests he is even attending mass... The accidental deaths of two students appear random, tragic events, except that in each case a copy of a book by John Millington Synge is found beneath the body. Jack begins to believe that “The Dramatist,” a calculating killer, is out there, enticing him to play. As the case twists and turns Jack’s refuge, the city of Galway, now demands he sacrifice the only love he’s maintained, and while Iraq burns, he seems a step away from the abyss.
In , the latest terror to be visited upon the dark Galway streets arrives in a most unusual form: an Eton and Cambridge graduate who becomes murderous over split infinitives, dangling modifiers, and any other sign of bad grammar. Meanwhile, Jack is approached by a grieving father with a pocketful of cash on offer if Jack will help exact revenge on those responsible for his daughter’s brutal rape and murder. Though hesitant to get involved, Jack agrees to get a read on the likely perpetrators. But Jack is soon derailed by the reappearance of Emily (previous alias: Emerald), the chameleon-like young woman who joined forces with Jack to take down her pedophile father in Bruen’s and who remains passionate, clever, and utterly homicidal. She is ready to use any sort of coercion to get Jack to conspire with her against the serial killer the Garda have nicknamed “the Grammarian,” but her most destructive obsession just might be Jack himself.
In South London, an unlikely gang of kidnappers hatch a plot. Nick, an ex-bouncer, Dex, a charismatic sociopath, and Lisa, a motor-mouth junkie femme fatale. Their prey is a powerful, local businessman with an obsession for the poet Rilke. Thing is, each kidnapper has a very different agenda. Which means it's only a matter of time before the joking stops, and the ever threatening violence begins.
The first title in the acclaimed and bestselling crime series featuring Jack Taylor, a disgraced former police detective from Galway. Mourning the death of his father, Jack is slowly drinking himself into oblivion when he is asked to investigate a teenage suicide. Plunged into a dangerous confrontation with a powerful businessman and with the Irish police — The Guards — who have an unhealthy interest in Jack’s past, he finds that all is not as simple as it at first seemed and a dark conspiracy unfolds.
A rogue ex-cop from the Irish Garda manipulates a transfer to work for the NYPD in an exchange program. However, it turns out that the cop is really a serial killer wanted for murder in Ireland, and now, New York City.
DEALING... PRODUCING... ALL IN A DAY’S WORK FOR A DRUGLORD. OR IN HOLLYWOOD.
Ruined and on the lam, former drug kingpin Max Fisher stumbles upon the biggest discovery of his crooked life: a designer drug called PIMP that could put him back on top. Meanwhile, a certain femme fatale from his past is pursuing a comeback dream of her own, setting herself up in Hollywood as producer of a series based on her and Max’s life story. But even in La-La Land, happy endings are hard to come by, especially with both the cops and your enemies in the drug trade coming after you...
The harsh streets of South London are the setting for this story of Cooper, a bank robber, who meets his match in Cassie who likes guns, money and poetry.
Brand new stories by: Ken Bruen, Eoin Colfer, Jason Starr, Laura Lippman, Olen Steinhauer, Peter Spiegelman, Kevin Wignall, Jim Fusilli, John Rickards, Patrick J. Lambe, Charlie Stella, Ray Banks, James O. Born, Sarah Weinman, Pat Mullan, Gary Phillips, Craig McDonald, Duane Swierczynski, Reed Farrel Coleman, and others.
Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin. Dublin Noir features an awe-inspiring cast of writers who between them have won all major mystery and crime-fiction awards. This collection introduces secret corners of a fascinating city and surprise assaults on the "Celtic Tiger" of modern Irish prosperity.
Cross (kros/ noun, verb, adjective) means an ancient instrument of torture, or, in a very bad humour, or, a punch thrown across an opponent's punch. Jack Taylor brings death and pain to everyone he loves. His only hope of redemption – his surrogate son, Cody – is lying in hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer. Jack's investigations take him to many of his old haunts where he encounters ghosts, dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should sell up, pocket his Euros and get the hell out of Galway like everyone else seems to be doing. Then the sister of the murdered boy is burned to death, and Jack decides he must hunt down the killer, if only to administer his own brand of rough justice.
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