Ellroy James download all books 9 books

The Shroud Shifter speaks:

I clipped my self-sharpening, teflon-coated, brushed-steel axe and swung it at her neck. Her head was sheared cleanly off; blood burst from the cavity, her arms and legs twitched spastically, then her whole body crumpled to the floor. The force of my swing spun me around, and for one second my vision eclipsed the entire scene — blood spattered walls, the body shooting an arterial geyser out the neck, the heart still pumping in reflex...

Martin Plunkett has struck again.

In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.

James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

The 2005 edition of The Best American Crime Writing offers the year's most shocking, compelling, and gripping writing about real-life crime, including Peter Landesman's article about female sex slaves (the most requested and widely read New York Times story of 2004), a piece from The New Yorker by Stephen J. Dubner (the coauthor of Freakanomics) about a high-society silver thief, and an extraordinarily memorable "ode to bar fights" written by Jonathan Miles for Men's Journal after he punched an editor at a staff party. But this year's edition includes a bonus – an original essay by James Ellroy detailing his fascination with Joseph Wambaugh and how it fed his obsession with crime – even to the point of selling his own blood to buy Wambaugh's books. Smart, entertaining, and controversial, The Best American Crime Writing is an essential edition to any crime enthusiast's bookshelf.

The movie Janet Maslin of the New York Times calls:

"Gangbusters! A shrewd, elegant film with a flawless ensemble cast and style to burn"; L.A. Confidential is an epic crime novel that stands as a steel-edged time capsule-Los Angeles in the 1950s, a remarkable era defined in dark shadings.

A horrific mass murder invades the lives of victims and victimizers on both sides of the law-three cops treading quicksand in the middle.

Detective Ed Exley wants glory. Haunted by his father's success as a policeman, he will pay any price, break any law to eclipse him.

Detective Bud White watched his own father murder his mother-he is now bent on random vengeance, a time bomb with a badge.

Celebrity cop Jack Vincennes shakes down movie stars for a scandal magazine. An old secret possesses him-he'll do anything to keep it buried.

Three cops in a spiral, a nightmare that tests loyalty and courage, a nightmare that offers no mercy, allows for no survivors. Here is James Ellroy's masterpiece… darkness to haunt you in shades of red, gray, and black.