LAPD homicide detective Peter Decker and his wife, Rina Lazarus, will be blindsided by a brutal multiple murder in this twisting tale of suspense from New York Times bestselling author Faye Kellerman.
"They say dead men don't talk, but if you listen, they do."
As a lieutenant in the LAPD, homicide detective Peter Decker doesn't get many calls at 3 a.m. unless a case is nasty, sensational – or both. Someone has broken into the exclusive Coyote Ranch compound of billionaire developer Guy Kaffey and viciously gunned him down, along with his wife and four employees.
A well-known figure on both the business and society pages, Kaffey, with his sons and his younger brother, Mace, built most of the shopping malls in Southern California and earned a reputation for philanthropy, donating millions to worthy causes. It doesn't take long for Peter, his trusted detectives Scott Oliver and Marge Dunn, and the rest of his homicide team to figure out that the gruesome killings must be an inside job. Things become even more entangled when they discover that Kaffey's largesse had included organizations that extended second chances to delinquents, many of whom Kaffey had hired for his personal security. But was the job pure murder/robbery or something even more twisted? A developer of Kaffey's magnitude doesn't make billions without making more enemies with blood grudges.
With leads taking the team across L.A., up and down the Golden State, and into Mexico, Decker is plenty busy – and plenty thankful not to have to worry about his wife, Rina Lazarus, getting caught up in this deadly case. Rina is out of harm's way, serving on a jury at the courthouse.
But then a chance encounter with a court translator who needs her help leads Rina into the terrifying heart of her husband's murder investigations – and straight into the path of a gang of ruthless killers. To protect Rina, Decker must find his prey before death unites his two worlds.
A fast-paced tour through the urban landscape of L.A., Blindman's Bluff is a riveting mile-a-minute thrill ride from a formidable master of her craft.
Billionaire genius Genoa Greeves never got over the shocking death of her favorite teacher, Bennett "Dr. Ben" Alston Little, murdered execution-style and stuffed into the trunk of his Mercedes-Benz. No arrests were ever made, no killer charged for the brutal crime. Fifteen years later, the high-tech CEO reads about another execution-style murder; this time the victim is a Hollywood music producer named Primo Ekerling. There is no obvious connection, but the case is eerily similar to Little's and Genoa feels the time is right to close Dr. Ben's case once and for all – offering the L.A.P.D. a substantial financial "incentive" if justice is finally served for Little.
Lieutenant Peter Decker resents having to commit valuable manpower to a fifteen-year-old open case simply because a rich woman says "Jump!" Still, the recent murder of Primo Ekerling does bear a disturbing resemblance to Little's case, even though two thug suspects are currently behind bars for the Ekerling murder. Decker can't help but wonder about a connection. His first phone calls are to the two primary investigators in the Little case, retired detectives Calvin Vitton and Arnie Lamar. Lamar is cooperative, but Vitton is not only reluctant to talk, he winds up dead of a suspicious suicide twelve hours later. Plunging into this long-buried murder, Decker discovers that even though the two slayings are separated by a decade and a half, there is still plenty of greed, lust, and evil to connect the dots.
Decker's team of top investigators not only includes his favorite homicide detectives, Scott Oliver and Marge Dunn, but also his newly minted Hollywood detective daughter, Cindy Kutiel, whose help proves to be invaluable. His wife, Rina Lazarus, continues to be his backbone of support, offering a cool, rational outlook despite her growing concern for her husband's welfare and safety. Rina's worries and fears begin to build at a fevered pitch as past and present collide with a vengeance, catapulting an unsuspecting Peter Decker closer and closer to the edge of an infinite dark abyss.
A relentlessly gripping tale spun by a master, Faye Kellerman's The Mercedes Coffin races through a dangerous urban world of fleeting fame and false dreams, making heart-pumping hairpin turns at each step of a terrifying journey, where truth and justice are fine lines between life and death.
At 8:15 in the morning, a small commuter plane carrying forty-seven passengers crashes into an apartment building in Granada Hills, California. Shock waves ripple through Los Angeles, as L.A.P.D. Lieutenant Peter Decker works overtime to calm rampant fears of a 9/11-type terror attack. But a grisly mystery lives inside the plane's charred and twisted wreckage: the unidentified bodies of four extra travelers. And there is no sign of an airline employee who was supposedly on the catastrophic flight.
Decker and his wife, Rina, have personal reasons for being profoundly shaken by the tragedy, since the "accident" occurred frighteningly close to their daughter Hannah's school. Luckily, their child and her schoolmates escaped unscathed. But the fate of the unaccounted-for flight attendant-twenty-eight-year-old Roseanne Dresden-remains a question mark more than a month after the horrific event, when the young woman's irate stepfather calls, insisting that she was never onboard the doomed plane. Instead, he claims, she was most likely murdered by her abusive, unfaithful husband. But why, then, was Roseanne's name included on the passenger list?
Under intense pressure from the department to come up with answers, Decker launches an investigation that carries him down a path of tragic history, dangerous secrets, and deadly lies-and leads him to the corpse of a three-decades-missing murder victim. And as the jagged pieces slowly fall into place, a frightening picture begins to form: a mind-searing portrait of unimaginable evil that will challenge Decker's and Rina's own beliefs about guilt and innocence and justice.
Sergeant Decker is called to investigate a rape charge in an isolated Orthodox Jewish Community. Rina Lazarus, a young widow who found the victim, guides Decker through her suspicious community as all the signs point to the rapist's first crime not being their last.
Two masters of the thriller genre break new ground with their first collaboration, introducing two different sets of cops in two different cities, faced with two very different murders. In Santa Fe, Darrel Two Moons and Steve Katz are working the 4pm-2am Special Investigation shift when they're called to the scene of a blunt-force homicide. The victim: a wealthy art dealer with a shady reputation, very few friends and an awful lot of enemies who're not sorry to see him dead. Did he stumble on a burglar stealing a priceless painting, or did someone whose life he'd ruined finally seek revenge? Dorothy Breton and her partner McCain are called to downtown Boston the same night Dorothy found a revolver in her teenage son's backpack. Now her elder son is a witness to the killing of a promising athlete in a shoot-out. At least the evidence is stacked against the obvious culprit – until the autopsy shows the young man didn't die of gunshot wounds, and Dorothy has to dig a lot deeper to find the shocking truth.
When Cindy finds a new-born baby in a rubbish bin, she can't imagine who would commit such a crime. Surely abandoning a baby is the biggest taboo of motherhood? The usual suspects – prostitutes, homeless women and drug abusers – aren't responsible. In fact, the culprit is a woman who appears almost as vulnerable as her own baby. As the case continues, Cindy realises she's in deep – her own life in danger – and there's only one person who can help, her father and boss, Lieutenant Peter Decker. They both know the key to a successful investigation is keeping a cool, professional head, but with a father and daughter detective team, can it ever be anything other than personal?
While on a camping trip, Detective Peter Decker and his two young charges come across the charred remains of two teenage girls. Embroiled in a disturbing case, Decker's only unifying thread in a network of violence and corruption is the deaths of the two apparently very different young girls.
“It was the stunned, pale look of bad news” The call was from Rabbi Jonathan Levine, Decker’s recently discovered half brother. There has been a murder in Jonathan’s family; his brother-in-law, a Hassidic Jew and former drug addict, was found naked in a seedy Manhattan hotel, a single gunshot wound to his head. And his niece, fifteen-year-old Shaynda, is missing… In a desperate bid to track down the missing girl, Decker finds himself in an alien city and a maze of deceit and danger, on a twisted journey that takes him from the darkened slums of New Jersey and the deserted industrial streets of New York, to the hidden meeting places of Hassidic outcasts…
The brutal murder of Dr. Azor Sparks in an alley behind a restaurant is greeted with public outrage and a demand for swift, sure justice. But the investigation into the well-known surgeon's death is raising too many questions and providing too few answers for homicide detective Lieutenant Peter Decker.
Why, for example, would the family of a man so beloved respond to his slaying with more surprise than grief? And what linked a celebrated doctor with strict fundamentalist beliefs to a gang of outlaw bikers? But the most unsettling connection of all is the one that ties the tormented Sparks family to Peter Decker's own – and the secrets shared by a renegade Catholic priest…and Decker's wife, Rina Lazarus.
From Publishers Weekly
Bestseller Kellerman's hardcore fans will welcome this eclectic volume, whose 17 selections include two new tales about her series husband-and-wife team, LAPD Lt. Peter Decker and Rina Lazarus; two stories with family themes, one coauthored with Kellerman's two daughters ("The Luck of the Draw"); and a pair of autobiographical essays, one a poignant tribute to her late father ("The Summer of My Womanhood"). Kellerman's short stories may lack the intricate plotting of her novels (Stone Kiss, etc.), but a typical effort like the title story, in which Decker notices some things out of place when a friend dies of an apparent heart attack, is never less than entertaining. Brief comments at the start of each entry provide context.
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