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If you combined clockwork gears, parasols, and air balloons with Edgar Allan Poe, what would you get? Steampunk: Poe! This is the first collection ever of Poe stories illustrated with the influence of steampunk. Running Press Teens has selected some of the most popular, thrilling, and memorable stories and poems by the classic 19th century American writer whose literary talent continues to open the mind to countless interpretations.

Every Poe story and poems is fully illustrated with steampunk-inspired art—from 1920s aviation gear to elaborate musical instruments—creating a fresh perspective on his work containing bizarre characters of madmen and mystery. Just in time for Halloween, Steampunk: Poe is the perfect classic horror choice with a haunting steampunk twist!

Hillerman, author of the Joe Leaphorn mysteries, and Herbert, editor of The Oxford Companion to Crime and Mystery Writing, trace this short-story genre from its beginnings in the hands of Edgar Allen Poe through its development by the likes of Erle Stanley Gardner, Mary Roberts Rinehart and Anthony Boucher to its current practice by such masters as Marcia Muller. Poe's "The Murders in the Rue Morgue," which established a great many of the whodunit conventions, is indispensable to such an overview. Raymond Chandler's "I'll be Waiting" emits a doom-laden atmosphere right from the first line; William Faulkner shows unexpected economy of language?and a transparent plot?in "An Error in Chemistry." Ed McBain scores high marks in "Small Homicide," in which the tiny details of a baby's untimely death resonate uncomfortably. As represented in this competent, unstartling collection, Linda Barnes ("Lucky Penny") easily outsasses Sue Grafton ("The Parker Shotgun"). Hillerman makes a solid appearance with "Chee's Witch," and in "Benny's Space" Muller captures the full subtle force of her novel-length vision.

Edgar Allan Poe’s dream poem is as close to music as words can ever come. First published on October 9, 1849 – two days after Poe’s death – this haunting, lyric poem is thought to have been written in memory of Poe’s young wife, Virginia. The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are jealous. He retains his love for her even after her death.